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S A T U R D A Y , A P R I L 3 0
PROGRAM 9, 12:30 p.m.
Directors Guild of America, Theatre Two

The Reel Evo (lution)
TRT: 85 minutes

This dynamic nonfiction program includes works that present an evolution of character, community history, genre, and entertainment. Stories of a competitive markswoman and mother, beloved Las Vegas lounge singers, a community historian, cultural myths and remembering are explored in an exciting range of documentary, experimental, and music video.


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HIM MARK LAI: THE PEOPLEíS HISTORIAN
(United States, 2004) Dir./Wtr.: Evan J. Leong
HIM MARK LAI: THE PEOPLEíS HISTORIAN is a personal documentary about the world of Him Mark Lai, one of the most accomplished Chinese American scholars in the world. A pioneer in many respects, Him Markís work has not only served as the primary resource for several modes of research but also as a starting point. This documentary records his life as a Chinese Americanóa minority marking the history that no one else could mark. Him Markís dedication and determination is a passion that few are lucky enough to find in their lifetimes. HIM MARK LAI: THE PEOPLEíS HISTORIAN explores this life passion as it has developed throughout his career.
Video, 28 minutes, Color, Documentary

 
 


LINUS
(United States, 2004) Dir.: Sharon Dang; Music: Versus
A song by San Francisco-based rock band Versus is imagined as a tribute to Asian American community pioneer Steven Pak, who passed away in 2003. Bold graphic elements and text layered over blurry and colorful images are the weft and weave of this visually textured piece.
Video, 3 minutes, Color, Experimental
 
 


TOP WOMAN SHOOTER
(United States, 2004) Dir./Wtr.: Bryant Wang
Vera Koo, a Chinese American wife and grandmother enrolled, at age 41, in a firearms safety class to feel safe handling the guns her husband bought for her. After learning the foundations of shooting and after much practice, Vera went on to win several major handgun competitions. TOP WOMAN SHOOTER follows Vera as she trains for The Masters, the worldís toughest hand gun competition. Along the way, friends and colleagues share their observations on Veraís talents, revealing how her involvement in the world of professional pistol competition has changed her life.
Video, 22 minutes, Color, Documentary
 
 


GOLD
(Canada, 2002) Dir./Wtr.: Karen Kew
GOLD explores notions of cultural memory and identity set against a North American backdrop and pre-revolution film images of Beijing. The old-style 1960s, free-standing, Chinese restaurant, such a familiar landmark of many Canadian towns becomes the repository of the immigrant experience, a place where myth is invented. The piece questions the way dominant cultural memory is constructed through he process of preserving and designating architectural landmarks as historically an culturally significant. What is included and what is omitted on this list ultimately points to whose cultural memory is preserved and mythologized.
Video, 6 minutes, Color, Experimental


 
 


SPOTLIGHTING
(United States, 2004) Dir./Wtr.: Josh Diamond, Lustin Lin
SPOTLIGHTING takes viewers on the roller coaster ride of survival as experienced by The Sun Spots, a veteran music and comedy lounge act in downtown Las Vegas. In the early 1960s, they began as a wide-eyed group in the Philippines who developed their showmanship while on a grueling tour of the U.S. military bases across Asia. After widespread stardom eluded them, The Sun Spots restlessly toured the United States and abroad until they found a home as the house band at the Plaza Hotel. Today, the unique bond between the band and their loyal fans in this little lounge raises questions regarding the ultimate meaning of success.
Video, 26 minutes, Color, Documentary

 
 


 
   

 

 
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