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A T U R D A Y , A P R I L 3 0
PROGRAM 18, 7:30 p.m.
Directors Guild of America, Theatre Two
Making a Stand
TRT: 100 minutes
A world at war, people at war, struggling
to reconcile a state of warÖthese and many issues are at the
forefront of this surprising selection of award-winning worksópossibly
the first time that VC FILMFEST has addressed these issues in this
manner. A trio of exceptional works from the New Zealand Film Commission
interface with a set of works produced locally, but with a world-view
wise beyond the years of their precocious directors.
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A
PLACE TO STAND (Turangawaewae)
(New Zealand, 2003) Dir.: Peter Burger; Scr.: Wiremu Grace
Tiare (a koro or old man), a veteran from the Vietnam War, lives
homeless, wandering the city, collecting bits and pieces in his
plastic bags. His daughter brings her own daughter to visit in an
effort to persuade him to return to their ancestral home. His reverie
is disturbed by boys whose play casts him back into the haunting
images of his service in the Vietnam War, and by a heavily tattooed
gang member whom he believes to be a fellow soldier. With his guard
down, he forgets to watch out for himself and is knocked down by
a car. In convalescence, his daughter convinces him to return home.
They return home, but it becomes clear that the past still haunts
him.
35mm, 13 minutes, Color, Narrative
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STRANDED
(United States, 2004) Dir./Scr.: Willard Motomura
France, 1944. Two Japanese American GIs, Kazuo and Richard, stumble
upon a young German soldier who has been shot and left for dead.
Kazuo, a replacement soldier from California, voices his concern
to help the German. Richard, a veteran from Hawaii, wants to abandon
the German. The divide between Kazuo and Richard not only includes
their battlefield experience but also the discrimination they faced
at home. Eventually, Kazuo convinces Richard to report the situation
to their superiors. Richard departs in order to get a clear radio
signal and, while he is away, a German squad confronts Kazuo and
its fallen comradeÖ
35mm, 13 minutes, Color, Narrative |
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TIGA
E LA ILOA
(New Zealand, 2003) Dir./Scr.: Popo Lilo
Brothers Tuna and Ioane, and their friend Frankie drink and fight
every Saturday night and attend church every Sunday morning. However,
when a routine street fight puts Frankie in intensive care, the
brothersí reaction may divide their future forever.
35mm, 11 minutes, Color, Narrative
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RUNNING
IN TALL GRASSES (Chay Trong Co Cao)
(United States, 2004) Dir./Scr.: Howard Duy Vu
Seven-year-old Vinh travels with his mother to visit his father
in a reeducation camp in Vietnam sometime after the end of the war.
Because of his internment, the father has been absent from his young
boyís life for several years. During the camp visit, Vinh
tries to stand up to what he sees as injustice of his fatherís
abandonment of the family. Frustrated, he runs off, unaware of the
danger that lurks. His mother desperately gives chase. Will Vinh
come to understand that his parents are just ordinary people, trying
to make the best of a difficult situation?
35mm, 14 minutes, B/W, Narrative |
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SWIM
TEST
(United States, 2004) Dir./Scr.: Alex Chung
Danny, an African-American teenager, must take the swim test in
order to graduate from high school. But first, he must make it through
the last day of classes. Subtle and devastating, this Sundance 2005
selection offers an unexpected study of the emotion-numbing effects
of domestic abuse.
35mm, 13 minutes, Color, Narrative |
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MIRACLE
MILE
(United States/South Korea, 2004) Dir./Scr.: Dong Hyeuk Hwang
MIRACLE MILE is a neon sign that stands on a strip of road separating
Koreatown from Beverly Hills. For James and Jiyoung, it represents
a potential for hope in the lonely desolate city of Los Angeles.
When James happens to meet Jiyoung at the airport, she enlists his
help to find her brother, who was sent to America 20 years earlier
for adoption. As they search, James remembers his own childhood
as an adopted child. He begins to hope and believe that he is the
one she is looking for. Through their journey, the two strangers
realize that theyíve discovered a sense of family in each
other.
35mm, 18 minutes, Color, Narrative
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SONS
OF TU (Tama Tu)
(New Zealand, 2004) Dir./Scr.: Taika Waititi
Six Maori Battalion soldiers wait for night to fall in the ruins
of a ruined Italian home. Forced into silence they keep themselves
amused like any boys would, with jokes and laughter. As they try
and ignore the reminders of war around them, a tohu (sign) brings
them back to the world of the dying. They gather to say a karakia
(prayer) to unite their spirits before they head back into the dark
of war.
35mm, 18 minutes, Color, Narrative |
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