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S
U N D A Y , M A Y 1
PROGRAM 24, 11:30 a.m.
Directors Guild of America, Theatre Three
REPEAT: Program 3, Friday, April 29, 7:30 p.m., DGA 3
Active Asian (or maybe ActivAsian?)
TRT: 86 minutes
Portraits of the quiet and not-so-quiet activism in and around our
communities. The stories, both public and private, have the power
to inspire thought and action.
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Tickets can be purchased at the
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FULL
MOON
(Thailand, 2004) Dir./Scr.: Pongpol Wongsawat, Seri Lachonnabot,
Narongrit Prathum
A disillusioned ìArt for Lifeî fan finds himself out
of touch with todayís times. Produced as part of the October
Youth Short Film Project, FULL MOON paints a picture of a youth
culture that has lost its sense of recent Thai history.
Video, 13 minutes, Color, Narrative
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JUST
(South Korea, 2002) Dir./Wtr.: Joon Soo Ha
Through a process of degeneration of both sound and image, JUST
endows the iconic American flag with new context and implication.
Through the use of different processes such as digital video, computer
printout and photocopying, and further combined with degenerated
sound, JUST explores how differently an image can be read when put
in a specific context.
Video, 6 minutes, Color, Experimental
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DASTAAR:
DEFENDING SIKH IDENTITY
(United States, 2004) Dir./Wtr.: Kevin Lee
DASTARR: DEFENDING SIKH IDENTITY presents the struggle of the Sikh
American community to overcome the hatred, fear and intolerance
they face from fellow Americans due to an essential symbol of the
Sikh faith: the dastaar, or turban. Though Sikhs have no relationship
with the terrorist networks of the Middle East, they are often mistaken
as terrorists due to their wearing turbans. The film explores how
media imagery fuels the association of the turban with terroism,
leading to widespread discrimination against Sikhs, and also shows
the efforts made by the Sikh community through activism, legal action,
legislation and education.
Video, 14 minutes, Color, Documentary
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THE
BOOK OF JAMES
(Canada, 2002) Dir./Wtr.: Ho Tam
Through a stack of personal journals, the video reconstructs a biography
of South Dakota-born and New York City-enlightened artist James
Wentzy. Tracing his days starting out as a struggling artist to
ending as an AIDS activist, THE BOOK OF JAMES provides an intimate
portrait of a neglected hero and unearths a time now forgotten.
Video, 16 minutes, Color, Experimental
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SHANTI
(United States, 2004) Dir./Wtr.: Merlyn M. Bilas
SHANTI vividly recounts the events leading up to the difficult choice
Chandra, a Fijian Indian American, makes that transforms her from
a servile daughter and wife into a woman who finally finds shanti,
peace, in her life. Using interviews, verite footage and family
photographs the film describes Chandraís struggles to balance
Fijian Indian and American values in an effort to forge her own
identity. Now middle-aged, Chandra must find the strength to face
the ultimate question, whether to live or die from an aggressively
spreading cancer that will release her from a loveless marriage.
SHANTI records Chandraís struggle as she grapples with the
consequences of her diagnosis. The film takes the audience with
Chandra as she gains shattering consciousness of the only choice
she can make, one that will finally give her power over a life bound
by others needs.
Video, 27 minutes, Color, Documentary
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THE
WALL
(Thailand, 2004) Dir./Scr.: Doongta Patummasoot, Baramee Smathipunya,
Sahaporn Noiyu, Anocha Pisaipan
THE WALL is an experimental documentary with various Thais from
all walks of life contributing to graffiti on a wall, with sound
laid in from an interview with a well known leftist activist from
the 1970s.
Video, 10 minutes, Color, Experimental Documentary
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